Sound Waves · Frequency · Harmonics · Music Theory · Synthesizer
Different waveforms produce different timbres (tone quality). A synthesizer creates all of these electronically.
Any periodic waveform can be built from a sum of sine waves at different frequencies. This is the Fourier Series — the foundation of audio compression, MP3s, and signal processing.
Add harmonics (overtones) to a fundamental frequency. Each harmonic is a multiple of the fundamental.
Click any key to hear that note. Each key's frequency is calculated from A4 = 440 Hz using equal temperament.
Each semitone = multiply by the 12th root of 2 (≈1.05946).
A4 = 440 Hz, A5 = 880 Hz, A3 = 220 Hz. Each octave doubles the frequency.
Sound is a longitudinal wave — molecules in air compress and rarefy (spread out) as the wave passes. It needs a medium (air, water, solid) to travel. In the vacuum of space there is no sound.
Pythagoras discovered (around 550 BC) that musical intervals that sound pleasing correspond to simple whole-number frequency ratios: octave = 2:1, fifth = 3:2, fourth = 4:3. This connects music to mathematics in a profound way.
A musical note 'A' vibrates at 440 Hz. Each octave doubles the frequency. What frequency is A in the next octave up? What about two octaves up? How many times louder (in dB) does doubling the amplitude make a sound?